Adding to the set of photographs showing horizontal and vertical lines, take 4 photographs which use diagonals strongly. Experiment with both wide angle and telephoto lenses to see how the strong perspective of a wide angle lens used close to an edge or surface creates strong diagonals.
There are many examples of diagonal lines in photographs of all genres and a quick google search “diagonal lines photography” revealed a host of images that exemplify the use of diagonals. Of course the text of the supplied manual is also amplified in Michael Freeman’s book The Photographer’s Eye (2007: 76-79) and Prakel (2006: 44-45). Clearly the diagonal line is seen as a powerful element in the composition of a photograph and even the orientation of the lines can influence what is being stated by the image. I found that you do not have to stray far from home to find some quite striking examples and even the simplest of things produce powerful images that leave the viewer in no doubt as to what the photograph is about.
Whilst I did experiment with both wide angle and telephoto lenses as suggested in the manual, I did not find the images I captured to be the best at depicting diagonal lines from a viewer’s perspective as required by the brief and reinforced by my tutor’s previous comments. Again I have produced images in both colour and black and white to see how they compare as regards what the photograph is trying to illustrate.
I have to say I did have some internal wrangling with this set of images; was I being too literal with the exercise at the expense of producing something more interesting. In the end I decided to stick with these images as they seemed to meet the requirements of the brief and the opportunity for “creativity” lies with the assignment. As I have already said, you do not have to look far for examples and even the simplest of images can be quite striking. This exercise has, for me, provided a very good opportunity to compare the impact of the colour and B+W images; I feel that the shots of the vapour trails and the bricks are best viewed in colour given the contrast that the colours provide whilst the other two suit B+W. I am still undecided as to the impact of the orientation of the lines but will look for this in the future, perhaps other subjects will make this clearer. Overall, I think, subconsciously, I have used diagonals in my photographs in the past, probably influenced by seeing others in books, magazines etc so this use of lines does strike a chord with me.
Freeman, M. (2007) The photographer’s eye: composition and design for better digital photos. Lewes: The Ilex Press Limited
Google. (2013) diagonal lines. Available from :https://www.google.co.uk/search?q=diagonal+lines+photography&rlz=1C5CHFA_enGB524GB525&espv=210&es_sm=91&tbm=isch&tbo=u&source=univ&sa=X&ei=ITVdUsHSNYHI0wXEn4GQCQ&ved=0CEcQsAQ&biw=2560&bih=1235&dpr=1. [Accessed 1 October 2013]
Prakel, D. (2012) Basics photography 01: composition. Second edition. Lausanne. AVA Publishing SA